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The best free cultural & educational media on the web | Open Culture -- -- -- The best free cultural & educational media on the web | -- -- The best free cultural & educational media on the web -- -- Audio Books Online Courses MOOCs Movies Languages Textbooks K-12 -- eBooks Donate -- -- Discover the Artist Who Mentored Edward Hopper & Inspired “Nighthawks” in Art | February 14th, 2020 Facebook Twitter Reddit Subscribe Google Whatsapp Pinterest Digg Linkedin Stumbleupon Vk Print Delicious Buffer Pocket Xing Tumblr Mail Yummly Telegram Flipboard Advertisement Every good teacher must be prepared for the students who surpass them. Such was the case with Martin Lewis, Edward Hopper's onetime teacher, an Australian-born printmaker who left rural Victoria at age 15 and traveled the world before settling in New York City in 1900 to make his fame and fortune. By the 1910s, Lewis had become a commercially successful illustrator, well-known for his etching skill. It was then that he took on Hopper as an apprentice. “Hopper asked that he might study alongside him,” writes DC Pae at Review 31 , “and Lewis thereafter became his mentor in the discipline.” The future painter of Nighthawks even “cited his apprenticeship with the printmaker as inspiration for his later painting, the consolidation of his individual style.” Messy Nessy quotes Hopper’s own words: “after I took up my etching, my painting seemed to crystallize.” Hopper, she writes, “learned the finer points of etching and both artists used the great American metropolis at night as their muse.” Though he is not popularly known for the art, Hopper himself became an accomplished printmaker, creating a series of around 70 works in the 1920s that drew from both Edgar Degas and his etching teacher, Lewis. “Hopper easily took to etching and drypoint,” writes the Seattle Artist League . “He had a preference for a deeply etched plate, and very black ink on very white paper, so the prints were high contrast, similar to Martin Lewis…, Hopper’s primary influence in printmaking.” A similar series by Lewis in the 1920s, which includes the striking prints you see here, shows a far stronger hand in the art, though also, perhaps, some mutual influence between the two friends, who exhibited together during the period. But there’s no doubt Lewis’s long shadows, forlorn street-lit corners, and cinematic scenes left their mark on Hopper’s famous later paintings. It was to painting, after the massive popularity of printmaking, that the art world turned when the Depression hit. Lewis found himself out of date. Hopper left off etching in 1928 to focus on his primary medium. In many ways, Pae points out, Lewis served as a bridge between the documentary Ashcan School and the more psychological realism of Hopper and his contemporaries. Yet he “died in obscurity in 1962, largely forgotten” notes Messy Nessy (see much more of Lewis’s work there ). “History chose Edward Hopper but Martin Lewis was his mentor,” and a figure well worth celebrating on his own for his technical mastery and originality. via Messy Nessy Related Content: 10 Paintings by Edward Hopper, the Most Cinematic American Painter of All, Turned into Animated GIFs Seven Videos Explain How Edward Hopper’s Paintings Expressed American Loneliness and Alienation Edward Hopper’s Iconic Painting Nighthawks Explained in a 7-Minute Video Introduction Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness by Josh Jones | Permalink | Make a Comment ( None ) | -- Facebook Twitter Reddit Subscribe Google Whatsapp Pinterest Digg Linkedin Stumbleupon Vk Print Delicious Buffer Pocket Xing Tumblr Mail Yummly Telegram Flipboard -- America’s First Drag Queen Was Also America’s First LGBTQ Activist and a Former Slave in Gender , History , Life | February 14th, 2020 Facebook Twitter Reddit Subscribe Google Whatsapp Pinterest Digg Linkedin Stumbleupon Vk Print Delicious Buffer Pocket Xing Tumblr Mail Yummly Telegram Flipboard Advertisement Negro Dive Raided. Thirteen Black Men Dressed as Women Surprised at Supper and Arrested. —The Washington Post, April 13, 1888 Sometimes, when we are engaged as either participant in, or eyewitness to, the making of history, its easy to forget the history-makers who came earlier, who dug the trenches that allow our modern battles to be waged out in the open. Take America’s first self-appointed “queen of drag” and pioneering LGBTQ activist, William Dorsey Swann , born into slavery around 1858. 30 years later, Swann faced down white officers busting a drag ball in a “quiet-looking house” on Washington, DC’s F street , near 12th. "You is no gentleman,” Swann allegedly told the arresting officer, while half the guests broke for freedom, correctly surmising that anyone who remained would see their names published in the next day’s newspaper as participants in a bizarre and unseemly ritual. A lurid Washington Post clipping about the raid caught the eye of writer, historian, and former Oberlin College Drag Ball queen, Channing Gerard Joseph , who was researching an assignment for a Columbia University graduate level investigative reporting class: An animated conversation, carried on in effeminate tones, was in progress as the officers approached the door, but when they opened it and the form of Lieut. Amiss was visible to the people in the room a panic ensued. A scramble was made for the windows and doors and some of the people jumped to the roofs of adjoining buildings. Others stripped off their dresses and danced about the room almost in a nude condition, while several, headed by a big negro named Dorsey, who was arrayed in a gorgeous dress of cream-colored satin, rushed towards the officers and tried to prevent their entering. Joseph’s interest did not flag when his reporting class project was turned in. House of Swann: Where Slaves Became Queens will be published in 2021. Meanwhile you can bone up on Swann, Swann’s jail time for running a brothel, and the Washington DC drag scene of the Swann era in Joseph’s essay for The Nation , "The First Drag Queen Was a Former Slave." Please note that William Dorsey Swann does not appear in the photo at the top of the page. As per Joseph: The dancers — one in striped pants, the other in a dress — were recorded in France by Louis Lumière. Though their names are lost, they are believed to be American. In the show, they performed a version of the cakewalk, a dance invented by enslaved people, and the precursor to vogueing. via The Nation Related Content: 100 Years of Drag Queen Fashion in 4 Minutes: An Aesthetic Journey Moving from the 1920s Through Today Before Brokeback: The First Same-Sex Kiss in Cinema (1927) When John Waters Appeared on The Simpsons and Changed America’s LGBTQ Views (1997) Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Join Ayun’s company Theater of the Apes in New York City this March for her book-based variety series, Necromancers of the Public Domain , and the world premiere of Greg Kotis’ new musical, I AM NOBODY . Follow her @AyunHalliday . by Ayun Halliday | Permalink | Make a Comment ( None ) | -- Facebook Twitter Reddit Subscribe Google Whatsapp Pinterest Digg Linkedin Stumbleupon Vk Print Delicious Buffer Pocket Xing Tumblr Mail Yummly Telegram Flipboard -- Watch This Year’s Oscar-Winning Short The Neighbor’s Window , a Surprising Tale of Urban Voyeurism in Film | February 14th, 2020 Facebook Twitter Reddit Subscribe Google Whatsapp Pinterest Digg Linkedin Stumbleupon Vk Print Delicious Buffer Pocket Xing Tumblr Mail Yummly Telegram Flipboard Advertisement As the last couple of generations to come of age have rediscovered, urban living has its benefits. One of those benefits is the ability to keep an eye on your neighbors — quite literally, given a situation of buildings in close proximity, sufficiently large windows, and minimal usage of drapes. Fortysomething Brooklyn couple Alli and J...
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